This is the best, cleanest critical edition currently available, and also includes published copies of the four songs deleted from the cycle. Liu, with assistance from Alison Hickey, Emily Spear, Kathy Gerlach, and especially invaluable input from James Wilkinson. The song cycle, titled "Twenty Songs from the Lyric Intermezzo in the Book of Songs for One Singer and Piano," was rejected by at least three different publishers in 1840 and 1843. earlymusic.bc.ca Text Insert - Schumannâs Dichterliebe and Brahmsâ Four Serious Songs Vancouver Bach Festival 2017 3 1 (Op. 1) Heinrich Heine Im wunderschönen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen . 24. See Full Entry around our beloved Lady. Peters accepted the set for publication in November 1843, but four songs would be removed from the cycle and someone (it is not known who) attached the title Dichterliebe to the cycle. 0
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This has been reissued on a Danacord CD. Poem numbers refer to the published order in the first edition of Heine's Buch der Lieder. The Dichterliebe was chosen as the composition to be analyzed because of its prominent position in the vocal literature of the Romantic period. A mid or low range voice is even worse off. 0000009314 00000 n
Details. Dichterliebe (The loves of a poet, translated by Paul Hindemith) (Dichtersliefde, translated by Jan Rot) (Amore di poeta) (Amors del poeta) (Runoilijanrakkautta) (×××ת ×ש×רר, translated by Assaf Levitin) (Amors de poeta, translated by Salvador Pila) (Dichtersliefde, translated by Lau Kanen) (Dichterliebe, translated by Effimia Gianniou) (L'amour du poète, translated by Pierre Mathé), op. 0000010978 00000 n
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Fortunately Orfeo has reissued a Salzburg Festival recital from 1956 with pianist Gerald Moore, accompanied by the Heine half of Schubert's Schwannengesang. 0000000016 00000 n
Dichterliebe, "A Poet's Love" (composed 1840), is the best-known song cycle of Robert Schumann (Op. 0000039523 00000 n
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48 (A Poet's Love) by Robert Schumann (1810-56). 0000011707 00000 n
Schumann's songs feel more like an extension of his earlier piano music than music conceived for the voice. In addition, some of the awkward piano writing gets even more awkward when the fingers shift positions on the keys. The centerpiece of this album is not a performance of Robert Schumann's song cycle Dichterliebe as such, but a new set of English texts by poet Elizabeth Kirschner, fitted to Schumann's music. 0000002058 00000 n
Dichterliebe was originally published by C.F. trailer
This anthology became a classic of Romantic German literature and composers began setting his poems to music within a year of the book's publication. 0000008779 00000 n
Robert Schumannâs Dichterliebe, written in just a week at the end of May in 1840, follows a âclear narrative throughâ¦poetryâ of a person who is mourning lost love and overcoming the heartbreak that inevitably follows. Dichterliebe (A Poetâs Love) was part of the creative surge of 1840, Schumannâs âyear of songâ, and the year he married Clara Wieck, during which he produced more than 130 Lieder. 0000007534 00000 n
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Schumann's music is challenging to sing, testing both the highest heights and the lowest depths of a tenor voice. Maybe the cunnning craft of Heine's poetry brought something out of Schumann the master miniaturist. %%EOF
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24 â (LP, Bla) ETERNA: 8 26 497: ⦠C.F. Heinrich Heine was still a young university law student (and, until his conversion from Judaism two years later, still named Harry Heine) when, in 1823, he completed his second collection of poems, Lyric Intermezzo. 48, takes as its artistic conceit the stages of a failed love affair. Last updated: September 1, 2017 by James C.S. Glendower Jones at Classical Vocal Reprints has a new published edition of all 20 songs taken down a major second. 0000001933 00000 n
We must rely on transcriptions from concert performances of the 1950's to hear this pairing. 0000005328 00000 n
No survey of German art song recordings would be complete without baritone Dietrich Fischer-Dieskau. Heine found his voice as a poet very early in his career, establishing his reputation with his second volume, the Tragödien, nebst einem lyrischen Intermezzo (Tragedies with a Lyric Intermezzo) of 1823. Hyperlinks in the English text show explanations of some concepts long forgotten in the 21st century, or show links to web sites with useful information. The Henle Urtext edition is not available in any key other than the original, and the other budget editions also don't respect Schumann's original harmonic design. Schumann fell in love with Clara Wieck, the pianist prodigy daughter of his piano teacher Friedrich Wieck. Die Rose, die Lilie, die Taube, die Sonne [sung text checked 1 time] Die Rose, die Lilie, die ⦠Souzay demonstrates his stunningly beautiful vocal tone, meticulous diction and a surprisingly sensitive approach to the text and Baldwin is ever the attentive, sympathetic accompanist. 0000017028 00000 n
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24, Liederkreis. Title Dichterliebe Contributor Names Schumann, Robert -- 1810-1856 Heine, Heinrich -- 1797-1856 Schanze, Helmut and Schulte, Krischan, eds. Hyperlinks in the German text show places where Schumann altered Heine's texts either by changing words or repeating phrases (leave the cursor over the link to pull up a balloon that describes the difference). Today it is considered one of the great examples of German art song and a challenge required of any tenor or baritone hoping to make his mark in the genre. Categories: Schumann (Robert), Song Texts & Translations, Share: Resources. By ⦠0000012775 00000 n
Henle has also brought out an Urtext edition of the score edited in 2006 by Kakuzo Ozawa which has detailed notes comparing the working manuscript, Robert and Clara's copies of the first edition of 1844. If the songs are transposed too low, some of them (especially Ich grolle nicht, Ein Jüngling liebt ein Mädchen and Allnächtlich im Traume become inaudibly low. Based on a map of key relations by Gottfried Weber, the hermeneutic analysis follows Dichterliebe's tonal path along a double trajectory of major keys and their relative minor keys, whose progression through tonal space is understood as occurrences in event space. Showing 1 - 10 of 134 results 0000006523 00000 n
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Similar items. Schumann*, Peter Schreier, Norman Shetler: Schumann*, Peter Schreier, Norman Shetler - Dichterliebe Op. 48 / Liederkreis Op. In any event, many of Schumann's most beloved songs are set to Heine texts. 30 44
He also never made a studio recording with his finest partner, Gerald Moore. 24 â (LP) Deutsche Grammophon: 2530 ⦠Robert Schumann: Dichterliebe Op.48: Mezzo-Soprano or Baritone: Vocal Work Medium voice, Piano IMC (International Music Co.) 15.50 GBP - Sold by Musicroom UK Shipment: (stock) information on site. Schumann: Dichterliebe & Liederkreis. Perhaps Heine's intrinsic contradictions appealed to Schumann's split personalities. 0000001635 00000 n
Im wunderschönen Monat Mai (Schumann Dichterliebe No. Prégardien demonstrates his customary qualities, including scrupulous attention to dynamics and markings, a relatively restrained approach to ritards and rubatos, and a relatively vibrato-free tone which allows him to play up the consonances and dissonances with the piano part. He fashioned music to match the poems in nine wonderfully fair days in the month of May 1840. Robert Schumann: Poet's Love Op.48: Voice: Vocal Album 0000007704 00000 n
39, comes from the long tradition of âWandererâ cycles documenting a young manâs adventures in the wide world, whereas Dichterliebe, op. text: Robert Schumann: ... By Collection. 0000039228 00000 n
Album Dichterliebe, Op. startxref
Details . 1+8) by Robert Schumann, is to recognize the special features of the songs which will contribute to their understanding and musical interpretation and perform- ance. The Danish tenor Aksel Schiøtz made a recording in 1946 for EMI/HMV with Gerald Moore (easily the most important art song accompanist of the 20th century). 0000006285 00000 n
The resulting text is, according to Kirschner, not intended as a translation of Heinrich Heine's original but instead a new work based on Schumann's music, text set to music rather than music set to text. 0000008185 00000 n
Robert Schumann may have put it best when he wrote, "At certain points in time, (Heine's) poetry dons the mask of irony in order to conceal its visage of pain; perhaps for a moment the friendly hand of a genius may lift that mask so that wild tears may be transformed into pearls.". 0000006174 00000 n
In that oeuvre, the songs to texts by Heinrich Heine stand out. (music: Robert Schumann, Dichterliebe; text: Heinrich Heine) The rose and the lily and dove and sun And the little flowers knew I donât love them anymore The small one, the fine one, the pure one, the only one. Although the text set in the opening song contains no hint of the bitter turmoil awaiting the poet, Schumannâs harmonic and voice-leading procedures skillfully underlay this brief opening movement with a ⦠Heine reworked the Lyric Intermezzo and republished it in his first anthology, the Buch der Lieder (Book of Songs) of 1827. Ich hab' im Traum geweinet evokes Heine's nightmares with one of the sparest piano parts ever put into an art song, while the voice recalls melodic fragments from Wenn ich in deine Augen seh, casting the words of that poem in a new light. Dichterliebe, 16 Songs on Poems by Heinrich Heine Composed by Robert Schumann (1810 - 1856) English translation found on Lieder.net, by (username) Paul Hindemith 1. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness. 0000008510 00000 n
hÞb```b``=ÄÀÆÀÀ~Abl,s@. What began as a lyrical intermezzo, then developed into"Dichterliebe", a work with which Schumann identified the ardour of his love for Clara Wieck. The goal of these contradictions is to create a bridge to another world, though it is not clear if the ultimate aim is forgiveness and redemption or bitterness and isolation. Im wunderschönen Monat Mai (No.1) Schumann continues his knack for creating literary effects in music: the wistful, ambivalent longing of Im wunderschönen Monat Mai is expressed in unsteady harmony veering between major and relative minor before settling on an unresolved dominant seventh chord. 0000010015 00000 n
Translations by James C.S. 0000006398 00000 n
Among the period instrument recordings, I like Christoph Prégardien and Andreas Staier's recording on Deutsche Harmonia Mundi. PREFACE The purpose of this work, an analysis of the song cycle Dichterliebe (Op. Dichterliebe, Op.48 (Schumann, Robert) Movements/Sections Mov'ts/Sec's: 16 lieder ... Boutarel's text in red ink, Barbier's in crayon Bibliothèque nationale de France, Musique (F-Pn): RES VMA MS-738 Purchase: Javascript is required for this feature. CD sheet music set of late Romantic German lieder, the Norton critical edition edited in 1971 by Arthur Komar, Urtext edition of the score edited in 2006 by Kakuzo Ozawa, Aksel Schiøtz, tenor; Gerald Moore, piano, Dietrich Fischer-Dieskau, baritone; Gerald Moore, piano, Gérard Souzay, baritone; Dalton Baldwin, piano, Christoph Prégardien, tenor; Andreas Staier, hammerflügel, The Complete Poems of Heinrich Heine: a modern English version, Robert Schumann, Words and Music: the vocal compositions, Dichterliebe: nach Gedichten von Heinrich Heine : Opus 48 für Singstimme und Klavier, Dichterliebe: an authoritative score, historical background, essays in analysis, views and comments, on-line music library at the Indiana University School of Music, Robert Schumann: New Edition of the Complete Works, Literary text used in solo songs, part songs, and works for vocal declamation, IPA Source texts and phonetic transcriptions, A guide to musical settings of Heine's poetry, Note: Song numbers refer to the order in Schumann's original 20-song submission; the Opus numbers either indicate the order in the published. 0000002408 00000 n
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For those adventuresome enough to try to do a consistent transposition, there is now another option. The recital is also available as part of a multi-disc set which includes material from ten years of Salzburg Festival recitals. 0000016756 00000 n
3 Liederkreis, Op. 48) by Robert Schumann, is to recognize the special features of the songs which will contribute to their understanding and musical interpretation and performance. This recording of Schumannâs two most famous âcanonicalâ song cycles would seem at first to pair disparate entities. The texts for the 16 songs come from the Lyrisches Intermezzo of Heinrich Heine, written 1822â23 and published as part of the poet's Das Buch der Lieder. Robert Schumann / Peter Schreier, Norman Shetler: Robert Schumann / Peter Schreier, Norman Shetler - Dichterliebe Op. 73 0 obj
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Dichterliebe was also edited by Max Friedländer for their edition of the complete songs and has also been issued by Peters as a ⦠Partly, this is because some songs inevitably get transformed into awkward keys with any transposition. Some of the dissonances have powerfully expressive effects when paired with Staier's playing. The article advances a new case for a coherent tonal and narrative structure of Schumann's Dichterliebe, op. Text & Translation Poet; Performances; Im wunderschönen Monat Mai (Schumann Dichterliebe No. Heine mixed naked honesty with savage irony, constructed a folk-like simplicity with the keenest artifice, mingled autobiography with fantasy, comedy and tragedy, love and hate. The sixty-six poems of the Lyric Intermezzo explore the emotions of someone who has just lost a sweetheart, and often these conflicting emotions tangle in the same poem. Text: Heine, Heinrich. 0000023453 00000 n
53, No. He completed it in a week. 48, Liederkreis Op. Wieck objected to Schumann as a potential son-in-law, and the stresses and roadblocks of a thwarted romance led Schumann to turn to poetry and song in the extraordinary "song-year" of 1840, when Schumann wrote over a third of all the songs he wrote in his lifetime. Song List. Widely considered his best song cycle, Dichterliebe was composed within a matter of days -- amazingly, during the same month as Schumann's Op. 48, sets 16 poems by Heinrich Heine for solo voice and piano. Robert Schumann. As of this moment, my favorite recording is Gérard Souzay and Dalton Baldwin's 1961 classic for Philips (sadly, not currently available on CD). Harmonia Mundi: HMU907521. There are two critical editions worth considering: the Norton critical edition edited in 1971 by Arthur Komar which features a complete score, texts and translations, some textual notes, detailed Schenkerian analysis of some of the cycle and essays about Heine and Schumann. 30 0 obj
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Schumann's Dichterliebe Robert Schumann (1810 - 1856), Dichterliebe, Op 48. The piano typically carries most of the melody, with extended preludes and postludes that comment on the poems and give voice to thoughts and feelings that the words only decorate. Schumannâs Dichterliebe cycle portrays the psychological unfolding of disappointed love. For Im Rhein, im heiligen Strome, Schumann elicits the feel of Köln Cathedral, whose bells were the first in Christendom to sound out three consecutive notes of the scale, by playing a bell-like figure in the left hand while the right hand plays snatches of a Bach organ prelude. [disclaimer] [please contact me if you wish to reproduce this translation] [back to the top], [disclaimer] [please contact me if you wish to reproduce this translation] [back to the top], Die Rose, die Lilie, die Taube, die Sonne, And if they knew it, the blooms, the little ones, composers began setting his poems to music within a year of the book's publication, four songs would be removed from the cycle, sound out three consecutive notes of the scale, flowers and little angels 48, No. Liu. This song cycle was one of the earlier products of Schumannâs Liederjahr (Year of Song), referring to his nearly exclusive devotion to song composition from 1840-1841, immediately after his marriage to Clara Wieck. xref
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It was reissued by Breitkopf & Härtel in 1885 as part of a Complete Schumann Edition, edited by Clara Schumann. To read the rest of the article, please click here. Unfortunately, Fischer-Dieskau's studio recordings were all made in the 1960's and 1970's, by which time his voice had gained a barking, hectoring tone which can be unappealing. 0000015126 00000 n
48 ENG DUT ITA ⦠1) (1823) Part of a series or song cycle: Lyrisches Intermezzo. Mark Padmore (tenor) & Kristian Bezuidenhout (fortepiano) 1) Im wunderschönen Monat Mai, als alle Knospen sprangen, da ist in meinem Herzen die Liebe aufgegangen. Wenn ich in deine Augen sehâ Lyrics. Completed in 1840, Robert Schumannâs song cycle Dichterliebe (Poetâs Love), Op. 0000002542 00000 n
Unfortunately, no currently available published edition does this; the Peters medium and low voice editions don't transpose some songs at all, and take others down variable distances. This is perhaps the finest recording in a tragically short vocal career, with Schiøtz at the height of his vocal powers, mingling beautiful tone with sensitive handling of the text, and with Gerald Moore's customary impeccable partnering. Heine's poetry is rooted in riddles, allegories, allusions, dreams and above all ambivalences and contradictions. And Schumann uses common musical motifs between songs to pull ideas together, such as the disembodied melodies bringing forth painful memories in Hör ich das Liedchen klingen and Am leuchtenden Sommermorgen, and the parallel postludes of Am leuchtenden Sommermorgen, and the final Die alten, bösen Lieder. This applies particularly to his compositions from Heinrich Heine's"Buch der Lieder". However, it wasnât published until 1844, by C.F. Dichterliebe takes for its texts 16 poems from the "Lyrisches Intermezzo," a section of Heinrich Heine's Buch der Lieder from 1827. Wenn ich in deine Augen seh' So schwindet all' mein Leid und Weh; Doch wenn ich küße deinen Mund Note: Brackets indicate where Schumann altered Heineâs original text. 48 This page lists all recordings of Dichterliebe, Op. <<7C02BF07DD06BD4ABCFFCBBB233F537C>]/Prev 457880>>
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Die Rose, die Lilie IV. 20 Lieder und Gesänge aus dem âLyrischen Intermezzoâ (Original manuscript version of Dichterliebe, 1840) Der arme Peter, Op.
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